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Market Scenario In its research report, Market Research Future (MRFR), asserts that the AI in Construction Market Research 2020 is slated to grow exponentially over the review period, securing a considerable market valuation of USD 2.01 billion, and a healthy 35% CAGR over the review period. Novel coronavirus has actually AI in Construction Market Research to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The AI in Construction Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6035 Segmentation The AI in construction market is differentiated by component, technology, organization size, deployment, stage, and application. On the basis of stage, the market is segmented into construction stage, pre-construction, and post-construction. Based on the component, the AI in construction market is bifurcated as solutions and services. The solution segment is categorized as demand forecasting, virtual assistant, revenue estimation, design planning, predictive maintenance, and others. The service sub-segment comprised implementation services, training consulting, and other support services. In terms of technology, the market is segregated into machine learning deep learning, neural networks, and natural learning programming (NLP). Based on the deployment, the market is divided into on-cloud and on-premises. Based on the organization size, the market is bifurcated into large enterprises, and small medium enterprise (SMEs). On the basis of application, the market is categorized as, project management, schedule management, risk management, equipment management, building information management, and supply chain management. Competitive Outlook The major market players operating in the global market as identified by MRFR are Oracle Corporation (U.S), IBM Corporation (U.S.), SAP SE (Germany), Alice Technologies.(U.S.), Microsoft Corporation (U.S.), Autodesk (U.S.), Aurora Computer Services(U.K), eSUB (U.S.), Smartvid.io(U.S.),and Building System Planning (U.S.). Some other market players who are involved in AI construction market are Jaroop, Deepomatic, Lili.Ai, Predii, Assignar, Coins Global, Beyond Limits, Doxel Askporter, Bentley Systems, Plangrid, and Renoworks Software Regional Analysis The geographical overview of the global market has been analyzed in four major regions, comprising the Asia Pacific, North America, Europe, and the rest of the world. On the building industry, North America is believed to have substantial growth in the AI, with the U.S. and Canada being the sector leading countries. Regional domination is due to increased investment by companies such as IBM Corporation, Oracle Corporation and many others, which invest directly in the advancement of technologies such as neural networks and machine learning in research and development. However, Asia Pacific is also expected to experience a strong market growth rate. The leading countries in this field are China, Japan, South Korea and India. The market growth is due to rise in demand by the region to improve smart city projects which require better facilities that boost the real estate sector. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/ai-in-construction-market-6035 List of Tables Table1 Global AI In Construction Market By Region, 2020-2027 Table2 North America AI In Construction Market By Country, 2020-2027 Table3 Europe AI In Construction Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global AI In Construction Software Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis of Global AI In Construction Software Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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身体障害者になり歌う事も楽器を弾く事もできなくなったが、俺の趣味はこれでも音楽。で、ホームページでもコーナーを用意はしているが、自分の決まっている気持ちや考え方を書くのは出来るが、日々変わっていく（であろう）音楽について、新しく得た情報や感想をホームページにアップロードして、ページの体裁その物を変化させていくのは面倒くさいし、それほど更新する時間も取れないと思う。そう言ったわけでこの様なブログを設け、単に俺だけの意見や感想が羅列されているだけのページにはしないと思っているわけである。 だからここには閲覧する皆さんの自由な感想や意見を書き込んで頂きたい。俺が知らないミュージシャンも当然大勢いるとは思うが、知識を得るのは楽しいし、ここで知る事がきっかけとなって新しい好きなミュージシャンが増えるかもしれないので。
https://w.atwiki.jp/wiki1_meron/pages/7.html
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https://w.atwiki.jp/vocaloidenglishlyric/pages/536.html
【Tags Miku Teniwoha tM tT K】 Original Music title 古書屋敷殺人事件 English music title The Murder Case at The Mansion of Antiquarian Books Romaji music title Kosho Yashiki Satsujin Jiken Music Lyrics written, Voice edited by てにをは(Teniwoha) Music arranged by てにをは(Teniwoha) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： At the by-street of Jinbouchou in Ka-Ka-Kanda A fledgling book scout Eaten by B-B-Bookworms, book store staffs and ownership marks, A student got turned away at the door In the C-C-Collector s edition of whirling L-L-Love and hate The old family had a habit of collecting from generation to generation A poor writer, fall upside-down at a slope The family is extinct. Look for the testament. Come here, great detective A mysterious and weird pretend play in a closed room "Make the dead-end street double-leaved!" There re alibis, it s an impossible perpetration "Has it done by him or her, whodunit?" I ll go and pick you up, my dear poor captive rare books. If it s impossible to choose which book, I ll do it by Amidakuji The spines of books are dignified No, no, let s play (Bo!) The (lie) got entangled Help me at once, Author! AH-HA-HA! S-S-Suggestive pictures, a dangerous tortoise shell, a rare book, A suspicious blood mark It s S-S-Strangulation, consideration. Is it the first edition? Is it the first offense? Should I go ahead? Or, go back? The M-M-Motivation is throbbing Hopscotch, hopscotch, hopscotch, vociferously The three naughty sisters play The mansion disappeared. The burnt ruins. Will it come to a happy termination? Dazzlingly, to flip it over Ratiocinating again, come on! Who? Who? Who is to blame for it? Kagura-dance Flowers bloom and there re handclaps to the beat Every night, playing roshambo again, as it gets even (Bo!) Ah! (Oh, no) It got messy. I can t find out if tricks were used That one fell in love with this one. Ah (Don t say, don t say, don t say it all) Did that one lock up this one? Ah (Don t say, don t say, don t say it all) (Don t say, don t say), Don t say it all If it s impossible to choose which book, I ll do it by Amidakuji The spines of books are dignified No, no, let s play (Bo!) The (lie) got entangled Help me at once, "Let one down" Who? Who? Who is to blame for it? Kagura-dance Flowers bloom and there re handclaps to the beat Every night, playing roshambo again, as it gets even (Bo!) Ah! (Oh, no) It got messy. I can t get the trick, "Let another one up" Saying "No, no, you shouldn t" with tears The root of the wheel of life, the yellow book cover At last, it s the final chapter (Bo!) In agony, oh no, I don t know Tell me the answer that who s the criminal, Author Ah! Author! (Don t say, don t say all, all Don t say, don t say all, all Don t say, don t say all, all Don t say, don t say, don t say it all) Romaji lyrics (transliterated by blacksaingrain)： ka ka ka kanda wa jinbouchou no yokochou kakedashi sedorishi shi shi shi shimi kui shotenin ni zoushoin monzenbarai no shosei-san a a a aizou uzumaku aizouban no kyuuka wa daidai shuushuuheki da binbou sakka saka sakasama rakkasei oie danzetsu sagase isho oide meitantei kikikaikai misshitsugokko "fukurokouji wo fukurotoji!" aribai arienai hankou "aitsu ka ano ko ka fu-danitto?" aware toraware itoshi no anata wo mukae ni yukou dono ko ka kimekaneru nara amida rin to shita sebyoushi yadayada asobimasho (shott) lie kongaragatta hayaku tasukete sensei ahhahha! a a a abunae abunai kikkou kikoubon ayashigena kekkon ko ko ko kousatsu da shohan ka? shohan nano ka? iko ka modorou ka do do do douki wa dokidoki kenpa kenpa kenpa kenken asobu yanchana san shimai ga oie shoushitsu yakenohara naruka!? daidanen mekurumeku mekuru beku mata suiri kamon! dare? dare? dare ga warui? kaguramai hana saki tebyoushi yonayona aiko desho (sho) aa! (uwan) tocchirakatta torikku ni kizukanai ano ko to kono ko ga koi wo shita aa (yu-na yu-na mina made iuna) ano ko wo dono ko ga tojikometa? aa (yu-na yu-na mina made iuna) (yu-na yu-na) mina made iuna dono ko ka kimekaneru nara amida rin to shita sebyoushi yadayada asobimasho (shott) lie kongaragatta hayaku tasukete (ohitotsu sagete) dare? dare? dare ga warui? kaguramai hana saki tebyoushi yonayona aiko desho (sho) aa! (uwan) tocchirakatta torikku wakannai (mo hitotsu agete) damedame ikemasen wa to namida rinne no ne kibyoushi toutou saishuushou (shott) ounou ai don noo kotae oshiete sensei aa! sensei! (yu-na yu-na mina made mina made yu-na yu-na mina made mina made yu-na yu-na mina made mina made yu-na yu-na mina made iuna) [Translation Notes] The song is a kind of nonsense verse which is full of puns, word games, phonetic equivalents and double meanings with rhyming. "Sho", "Shott" or "aiko de sho" is a word often spoken before playing another Rock-paper-scissors (Ro Sham Bo!) again after an even game.
https://w.atwiki.jp/vocaloidenglishlyric/pages/590.html
【Tags Hoehoe-P Miku tA tS tT U】 Original Music title うたうたいのうた English music title Song of A Singer Romaji music title Utautai no Uta Music Lyrics written, Voice edited by ほえほえP (Hoehoe-P) Music arranged by ほえほえP (Hoehoe-P) Singer 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： La-la-la, my master sings a song, Looking triumphant as she speaks the words People say it s a silly, ordinary song; It s the tale of our happy times... All day I m in a staring contest with my desk, Writing out the sounds in my head Happy things, sad things, detestable things, Painting them all together on sheets of music Were I in a song, I could go anywhere, I could be anything; Say, to the dark side of the moon, or to the ends of dreams And as I play a melody, for someone I don t yet know, I know it won t reach, yet... Now, it s time to strain your voice and sing Of loneliness, of warmth, to forget it all But when morning comes, it ll be as ever See, for another day, the night turns to dawn... La-la-la, my master sings a song, And little by little, comes to sing less From time to time, she holds me as if in remembrance, Looking satisfied as she speaks the words "I have nothing more to sing," I cried on some nights, Yet people gave me praise on joyous others If I could have just one wish, I d bring things back to then; I d like to sing a silly song... Say, to strain your voice and sing, It s made me tired, if only a little I closed my eyes tight, but just underneath, I couldn t hold it in; I cried my tears... If this is what you desire, Then let us celebrate all together Make a toast to new things, Even if I m not there... However, master - what do you think? Suddenly she rose; "There are still things precious to me I haven t yet sung," And she took me in her hands... La-la-la, my master sang a song, Looking triumphant as she opened the case... Now, it s time to strain your voice and sing Of loneliness, of warmth, to forget it all And when morning comes, it ll be brand new; Yes, brand new days, and they ll go on... They ll go on... Romaji lyrics (transliterated by vgboy / vgperson)： Rarara boku no go-shujin wa uta utai Hokorashige na kao shite kotoba o haku Kudaranai to hito wa iu arifureta uta Mada bokura ga shiawase datta koro no hana Ichinichi-juu tsukue to niramekko shite Atama no naka no oto o kakinaguru Tanoshii koto mo kanashii koto mo iya na koto mo Gochamaze ni gosenshi o nuritsubusu Uta no naka nara doko e demo iketa nani ni demo nareta Tatoeba tsuki no uragawa toka yume no owari toka Merodii o kanadeteiku mada minu dareka no tame ni Todokanai to shitteite mo Saa koe o karashite utau no sa Sabishisa mo nukumori mo minna wasurete Demo asa ni nattara motodoori Hora kyou mo mata yo ga aketeiku Rarara boku no go-shujin wa uta utai Sukoshi-zutsu utau no ga hette kite Tama ni omoidashita you ni boku o kakae Manzokuge na kao shite kotoba o haku Mou utau koto nannimo nai to naiteita yoru mo Ano ko ga hometekuretanda to yorokonda yoru mo Kanau nara mou ichido ano koro ni modotte Kudaranai uta o utaitai Nee koe o karashite utau koto Sore sae mo sukoshi dake tsukarete shimatta Gyutto tojita mabuta sono oku de Koraekirezu namida ochiru Anata ga nozonda koto naraba Morote o agete iwaimashou Arata na kadode ni kanpai o Soko ni boku ga inaku to mo Tokoro ga go-shujin nani o omotta ka Ikinari tachiagari "Madamada daiji na koto o utatteinai" to Boku o te ni totte Rarara boku no go-shujin wa uta utai Hokorashige na kao shite keesu o aketa Saa koe o karashite utau no sa Sabishisa mo nukumori mo minna wasurete Soshite asa ni nattara atarashii Mainichi ga hora tsudzuiteyuku Tsudzuiteyuku [Hoehoe-P, HoehoeP]
https://w.atwiki.jp/mainichi-matome/pages/711.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality"「タブロイド面白短編：女子学生売春婦たちはセックスのために暗号を使う」 ソースロンダリングの概要と発見された経路共通経路 Tokyomango から転載 Textually.org から転載 経路が謎 まったく別経路 拡散状況 関連ページ "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" 「タブロイド面白短編：女子学生売春婦たちはセックスのために暗号を使う」 (2008年1月26日配信) IkebLURV1700Yukichi2JC1 At first glance, the above looks like nothing more than gobbledygook, but Nikkan Gendai (1/23) says it s actually an elaborate code used by a schoolgirl prostitute ring cops broke up this week. IkebLURV1700Yukichi2JC1 一目見ると、上記はわかりにくい専門用語以外の何ものでもないが、日刊ゲンダイ（１月２３日号）は言う、それは実は、警察が今週解散させたある女子学生売春仲間（組織）により使われていた、巧妙な暗号の１つである。 Saitama Prefectural Police have already taken into custody five schoolgirls ranging from junior high school to high school pupils, accusing them of breaking the Matchmaking Site Regulation Law by running a bulletin board offering sexual services performed by junior high and elementary school girls. 埼玉県警はすでに中学生から高校生までの５人の女子学生を拘束（補導）した、中学生と小学生の少女たちによる性的サービスを提供する掲示板を使い出会い系サイト規制法違反として彼女たちを告発した。 More arrests are expected. さらに逮捕者が出ると予想される。 "Prefectural police are poised to arrest a 6th grade schoolgirl who was using this site," an investigation insider tells Nikkan Gendai. "I think it s probably the first time that an elementary school pupil has been arrested for breaking this law." 「県警はこのサイトを使っていたある６年生の女子小学生を逮捕（補導）する用意ができている、」と捜査関係者が日刊ゲンダイに言う。「この法律の違反によって逮捕（補導）される最初の小学生になると思う。」 About 80 percent of those who accessed the site are believed to have been pedophiles or those fixated with young girls. But the posts on the bulletin board were nearly all written in code. そのサイトにアクセスしていた約８０％の人たちは幼児性愛者または少女病的執着者であると考えられている。しかし、その掲示板に投稿されたのほとんどすべては暗号で書かれていた。 Standard procedure was for the first two characters used to resemble the name of a well-known and easily identifiable place, so the above message would have been referring to Tokyo s Ikebukuro entertainment district. 標準的な手順は、最初の２文字はよく知れたそして簡単に特定できる場所名を表すように使われる、よって、上記のメッセージは東京の池袋歓楽街を示しているのであろう。 A heart mark -- or, as in the above case, the letters "LURV" -- signifies the girl s willingness to have sex, the lowbrow tabloid says, adding the next four numbers were the time, according to the 24-hour clock, that she would be able to meet. １つのハートマーク － または、上記の場合は、文字”LURV” － は少女か喜んでセックスしてくれるということを表す、と低脳タブロイド紙は言う、次に４つの数字は、彼女が会える、時刻を、２４時間表記で付け加える。 Yukichi refers to Yukichi Fukuzawa, the man whose face appears on the 10,000 yen note. The number immediately following his name designates how many 10,000 yen notes the girl is seeking to supply carnal services. 諭吉は福沢諭吉（その男性の顔は１万円札に印刷されている）を示す。彼の名前の直後に続く番号はその少女は肉体的サービスをするにあたって求めている１万円札の枚数を指示する。 JC, meanwhile, is code for Joshi Chugakusei, the Japanese word for junior high schoolgirl. Elementary schoolgirls, incidentally, are "JS" for Joshi Shogakusei, while "JK" stands for Joshi Kosei, or high school girl. The number after the code letters indicates the grade the girl is in. 一方、JCはJoshi Chugakusei（女子中学生にあたる日本語）を示す暗号である。女子小学生は、ついでに紹介すれば、"JS"でありJoshi Shogakuseiを示す、一方、"JK"はJoshi Koseiまたは女子高校生を表す。その暗号文字の後の番号はその少女の学年を示す。 " IkebLURV1700Yukichi2JC1, then, stands for a message meaning First year junior high schoolgirl, can meet for love in Ikebukuro from 5 p.m. with sex costing 20,000 yen," sex business writer Atsushi Tashiro tells Nikkan Gendai. "If there is a heart mark in a girl s mail, it s code for saying that she s willing to have sex for money. If there s a heart mark and a number nearby it in any mails a girl sends, parents should suspect that she s selling her body." それでIkebLURV1700Yukichi2JC1が示すメッセージの意味は「女子中学１年生、セックス代２万円込みで池袋で午後５時から会える、」とセックスビジネス関係作家タシロ アツシ氏は日刊ゲンダイに言う。「もし、少女のメッセージのハートマークがあれば、その暗号は彼女がお金のためにセックスすることを望んでいることを言っていることである。もし、少女が送るあらゆるメールの中に、ハートマークとその近くに番号があれば、両親は彼女は身体を売っていると疑うべきである。」 (By Ryann Connell) （Mainichi Japan） January 27, 2008 ### 2008年1月26日配信 (未登録記事) Tabloid Tidbits Schoolgirl sex sellers use codes for carnality http //www.crnjapan.com/abuse/aarticles/2008/en/20080122-educ_board_sex_network_tokyo.html Tabloid Tidbits Schoolgirl sex sellers use codes for carnality The Mainichi Shimbun (WaiWai) January 27, 2008 Source http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 納品：7/25 ソースロンダリングの概要と発見された経路 解説された暗号例である "IkebLURV1700Yukichi2JC1" で追跡しました。 Tokyomango の段階で、一次ソースは消えています。事件の詳細は曖昧になり、暗号例の解読が文章の中心になります。 さらに、Textually.org の段階で、MDN の名前さえ消え去り、暗号解読と使用目的だけが一人歩きを始めます。 舞台は出会い系サイトであったはずなのに、タイトルにSMS(ショートメッセージサービス)という表記さえ出現します。 詳細は以下をご覧ください。 共通経路 (2008/01/23) 日刊ゲンダイ ↓ (2008/01/27) MDN waiwai "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 日本語の表示された携帯電話の写真あり？ ↓ (2008/01/31) Tokyomango "Text Msg Code for "I m a Japanese School Girl Selling Sex"" http //www.tokyomango.com/tokyo_mango/2008/01/text-msg-code-f.html MDN のリンクあり 大幅に要約 日本語の表示された携帯電話の写真もコピー http //www.tokyomango.com/tokyo_mango/images/2008/01/31/20080126p2g00m0dm008000p_size5.jpg ↓ (2008/02/01) Textually.org "Text Msg Code for "I m a Japanese School Girl Selling Sex"" http //www.textually.org/textually/archives/2008/02/018877.htm Tokyomango のリンクあり Tokyomango から転載 (2008/02/01) Cell Packages "Text Msg Code for “I’m a Japanese School Girl Selling Sex”" http //cellpackages.com/text-msg-code-for-im-a-japanese-school-girl-selling-sex.html Tokyomango のリンクあり (2008/02/01) 文化レベルが高すぎます "IkebLURV1700Yukichi2JC1" http //d.hatena.ne.jp/itoshiki/20080201/p2 Tokyomango のリンクあり (2008/02/01) ShakeWellBeforeUse "Txtshorthand used to sell underage sex" http //www.shakewellbeforeuse.com/2008/02/txtshorthand_used_to_sell_unde.php Tokyomango のリンクあり 日本の女子高生らしい下半身の写真あり http //www.shakewellbeforeuse.com/images/200405327-001.jpg (2008/02/02) Tambayan.ph "Japanese school girls using codes for selling sex" http //www.tambayan.ph/2008/02/02/japanese-school-girls-using-codes-for-selling-sex/ MDN のリンクあり Tokyomango のリンクあり 日本語の表示された携帯電話の写真もコピー http //www.tambayan.ph/wp-content/uploads/2008/02/kanji-mobile.jpg (2008/02/02) Ring-Weekly Mobile Phone News "Japanese School Girls Using SMS Codes To Sell Sex" http //ring-weekly.blogspot.com/2008/02/japanese-school-girls-using-sms-codes.html Tokyomango のリンクあり タイトルに SMS 追加 内容に SMS 追加 (2008/02/05) ISIS-Inc. Technically, it s about Sex "As ET once said "Be Good"" http //phalligator.blogspot.com/2008/02/as-et-once-said-be-good.html Tokyomango のリンクあり (2008/02/05) Cowboy Caleb "Jap Prostitution Ring Secret Mobile Code Dilemma" http //cowboycaleb.liquidblade.com/index.php/archives/2008/02/05/jap-prostitution-ring-secret-mobile-code-dilemma/ 日本語の表示された携帯電話の写真もコピー http //farm3.static.flickr.com/2004/2243610734_2ed4c52468.jpg (2008/02/29) FEPY "Text Msg Code for “I’m a Japanese School Girl Selling Sex”(title unknown)" http //www.fepy.com/text-msg-code-for-im-a-japanese-school-girl-selling-sextitle-unknown-3505.html MDN のリンクあり Tokyomango のリンクあり 日本語の表示された携帯電話の写真もコピー http //www.tokyomango.com/tokyo_mango/images/2008/01/31/20080126p2g00m0dm008000p_size5.jpg (2008/03/01) mani.lv "Хайтек-проституция" http //www.mani.lv/ikeblurv1700yukichi2jc1/ Tokyomango のリンクあり ロシア語に翻訳 (2008/03/01) vr-maniac "Хайтек-проституция" ｈｔｔｐ //vr-maniac.livejournal.com/2008/03/01/ Tokyomango のリンクあり ロシア語に翻訳 ↓ (2008/08/08) Пессимистические заметки "Хайтек-проституция" ｈｔｔｐ //www.liveinternet.ru/community/lj_vr_maniac/post82218679 Tokyomango のリンクあり ロシア語に翻訳 Textually.org から転載 (2008/01/31) My Mobile Bar "Make your Japanese school girl fantasy come true with just an SMS" http //www.mymobilebar.com/make_your_japanese_school_girl_fantasy_come_true_with_just_an_sms.html Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //mymobilebar.com/wp-content/uploads/2008/01/312121008275.jpg (2008/02/01) IntoMobile "Make your Japanese school girl fantasy come true with just an SMS" http //www.intomobile.com/2008/02/01/make-your-japanese-school-girl-fantasy-come-true-with-just-an-sms.html Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //images.intomobile.com/wp-content/uploads/2008/02/japskoolgirlsmssex.jpg ↓ (2008/02/01) Phones Review "Japanese school girls arrested for prostitution ring Ads sent via SMS texts" http //www.phonesreview.co.uk/2008/02/01/japanese-school-girls-arrested-for-prostitution-ring-ads-sent-via-sms-texts/ Textually.org のリンクあり IntoMobile のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.phonesreview.co.uk/wp-content/phoneimages/2008/02/japskoolgirlsmssex.jpg (2008/02/01) Movilae "Fantasías sexuales vía SMS en Japón" http //www.movilae.com/2008/02/01/fantasias-sexuales-via-sms-en-japon Textually.org のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.movilae.com/wp-content/uploads//2008/02/japskoolgirlsmssex.jpg スペイン語に翻訳 ↓ (2008/02/01) BlogdeMoviles.com.ar "Fantasías sexuales por SMS en Japón" ｈｔｔｐ //www.blogdemoviles.com.ar/fantasias-sexuales-por-sms-en-japon/ Textually.org のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー ｈｔｔｐ //www.blogdemoviles.com.ar/wp-content/uploads/2008/02/japskoolgirlsmssex.jpg スペイン語に翻訳 (2008/11/13) EastAsiaFair "Now available through sms sex" http //www.eastasiafair.com/2008/11/13/now-available-through-sms-sex/ Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //www.onigirifair.com/wp-content/uploads/2008/11/onigiri004-now-available-through-sms-sex-c-300x200.jpg 経路が謎 modemlooper Sorry the post you looking for did not exist or already removed by author http //modemlooper.com/files/japanese-school-girl-sex-cell-phone.html リンク元はすでに消えています。 ↓ (2008/02/05) Hot Diggity Blog "Japanese Schoolgirl Cell Phone Prostitution Ring" http //snagwiremedia.com/hotdiggityblog/2008/02/japanese-schoolgirl-cell-phone.html 謎なヤマンバの写真を追加 http //snagwiremedia.com/hotdiggityblog/2008/02/05/sexy-japanese-schoolgirls-thumb-500x375.jpg (2008/02/05) Sexologia.net "Estudiantes japonesas venden sexo por SMS" http //www.sexologia.net/05-02-2008/noticias/estudiantes-japonesas-venden-sexo-por-sms タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.sexologia.net/wp-content/uploads/japon.jpg 日本語の表示された携帯電話の写真もコピー http //www.sexologia.net/wp-content/uploads/lurv.jpg スペイン語に翻訳 ↓ (2008/02/08) Femenino.info "Estudiantes japonesas venden sexo por SMS" ｈｔｔｐ //www.femenino.info/08-02-2008/sexologia/estudiantes-japonesas-venden-sexo-por-sms Sexologia.net のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー ｈｔｔｐ //www.femenino.info/wp-content/uploads/japon.jpg 日本語の表示された携帯電話の写真もコピー ｈｔｔｐ //www.sexologia.net/wp-content/uploads/lurv.jpg スペイン語に翻訳 (2008/09/13) Japan-mod.Fr "5 élèves arrêter pour prostitution" http //www.japan-mod.fr/news-japon-culture-0-238-eleves-arreter-pour-prostitution.html http //japan-mod.eu/news-japon-culture-0-238-eleves-arreter-pour-prostitution.html フランス語に翻訳 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.japan-mod.fr/img/image/jap_pros.jpg ↓ (2008/09/16) MANGAS-ANIME "5 élèves arrêter pour prostitution" http //mangas-anime.superforum.fr/japon-f91/5-eleves-arreter-pour-prostitution-t2292.htm Japan-mod.Fr のリンクあり フランス語に翻訳 内容に SMS 追加 日本の女子高生らしい写真もコピー [[http //www.japan-mod.fr/img/image/jap_pros.jpg] まったく別経路 (2008/01/23) 日刊ゲンダイ ↓ (2008/01/27) MDN waiwai "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html ↓ (2008/02/03) Asianoffbeat "Japanese Schoolgirl Sex Sellers Use Codes for Carnality" ｈｔｔｐ //www.asianoffbeat.com/default.asp?Display=1476 ↓ (2008/02/05) The Grand Narrative "Japanese Schoolgirl Sex Codes" ｈｔｔｐ //thegrandnarrative.wordpress.com/2008/02/03/japanese-schoolgirl-sex-codes/ ↓ (2008/02/05) East Windup Chronicle "Japanese Schoolgirl Sex Codes" http //eastwindupchronicle.com/japanese-schoolgirl-sex-codes/ 拡散状況 AsianOffbeat ｈｔｔｐ //www.asianoffbeat.com/default.asp?Display=1476 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080122-educ_board_sex_network_tokyo.html 全文コピー。ページ上の３件目 Nigihara http //www.nigihana.com/forum/showthread.php?t=6961 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/01/20080127.php 英語サイト 部分転載：http //asiahaha.com/index.php/japanese-schoolgirl-sex-sellers-use-codes-for-carnality/ 部分転載：http //www.fepy.com/text-msg-code-for-im-a-japanese-school-girl-selling-sextitle-unknown-3505.html http //referenceblog.canalblog.com/archives/2008/01/27/8402489.html 部分転載：http //www.textually.org/textually/archives/2008/02/018877.htm 部分転載：http //www.tokyomango.com/tokyo_mango/2008/01/text-msg-code-f.html http //www.ultimate-fighter.ca/Forum/viewtopic.php?pid=160037 http //worldofschoolgirls.com/main/index.php?option=com_content task=view id=13 Itemid=1 jrocknyc 部分転載：http //jrocknyc.blogspot.com/2008/02/elaborate-code-used-by-schoolgirl.html Blogger：その他 部分転載：http //ring-weekly.blogspot.com/2008/02/japanese-school-girls-using-sms-codes.html Blogger http //kristonikkolo.blogspot.com/2008/02/jaapani-koolitdrukute-mobiilne-seksiri.html http //magnaverse.blogspot.com/2008/02/teeny-boppers-peddling-thier-ass-joshi.html 海外ブログ http //sonletay.vox.com/library/post/schoolgirl-sex-sellers-use-codes-for-carnality.html 南アフリカドメイン ｈｔｔｐ //mybroadband.co.za/vb/archive/index.php/t-107354.html (*1) PeterCH High school girl panties are like the IN thing among chikans (perverts) in Japan and Korea. I dunno bout China, it has repressive laws regarding that sort of stuff. It s pretty doff I think but some girls make a lot of dough selling their Sailor-fuku uniforms and panties to these bura-sera shops. If that keeps them away from prostitution, it s probablya good thing. Since we re talking all this tabloid stuff here, here s more sensationalism "Karate teacher uses below the black belt skills to master schoolgirl seduction" http //mdn.mainichi.jp/culture/waiwai/news/20080221p2g00m0dm019000c.html "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 関連ページ AsianOffbeat Blogger Blogger：その他 CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles Nigihara WaiWai Archive WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：F WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：R WaiWaiの記事を転載した英語サイト：T jrocknyc シーファーが日本を児童ポルノ大国呼ばわりした原因 ソースロンダリング 海外ブログに記事が及ぼした影響
https://w.atwiki.jp/pyopyo0124/pages/34.html
CHAPTER XIX UP CHAPTER XXI CHAPTER XX A Good Imagination Gone Wrong Spring had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover s Lane were red budded and little curly ferns pushed up around the Dryad s Bubble. Away up in the barrens, behind Mr. Silas Sloane s place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I m so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn t be anything better than Mayflowers, could there, Marilla? And Diana says if they don t know what they are like they don t miss them. But I think that is the saddest thing of all. I think it would be TRAGIC, Marilla, not to know what Mayflowers are like and NOT to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a ROMANTIC spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn t take a dare. Nobody would in school. It is very FASHIONABLE to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say `sweets to the sweet. He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can t tell you the person s name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing `My Home on the Hill. Oh, it was so thrilling, Marilla. All Mr. Silas Sloane s folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla s response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I m going through here I don t really care whether Gil--whether anybody gets ahead of me in class or not. But when I m up in school it s all different and I care as much as ever. There s such a lot of different Annes in me. I sometimes think that is why I m such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn t be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne s freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn t exactly necessary to starch Matthew s handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn t seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I m so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt INSTINCTIVELY that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn t know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It s the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen s birthday. Both Diana and I are very loyal. But I m sorry about that pie and the handkerchiefs. I wanted to be extra good today because it s an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can t think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn t seem so important to you. I ve been here for a year and I ve been so happy. Of course, I ve had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can t say I m sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you ve finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she ll lend me Diana s apron pattern." "Oh--it s--it s too dark," cried Anne. "Too dark? Why, it s only twilight. And goodness knows you ve gone over often enough after dark." "I ll go over early in the morning," said Anne eagerly. "I ll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I ll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I d like to catch you!" "I can t go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--COMMONPLACE. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it s so gloomy. Oh, we have imagined the most harrowing things. There s a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there s a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn t go through the Haunted Wood after dark now for anything. I d be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe EXACTLY," faltered Anne. "At least, I don t believe it in daylight. But after dark, Marilla, it s different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he d been buried for a year. You know Charlie Sloane s grandmother wouldn t tell a story for anything. She s a very religious woman. And Mrs. Thomas s father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn t, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I ve had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won t countenance any such doings. You ll go right over to Barry s, and you ll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I ll risk it," said Marilla unfeelingly. "You know I always mean what I say. I ll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell s field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I ll b-b-be contt-tented with c-c-commonplace places after this." CHAPTER XIX UP CHAPTER XXI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 34 (Tue)
https://w.atwiki.jp/vocaloidenglishlyric/pages/508.html
【Tags Bousou-P Len Rin tI H】 Original Music title 廃都アトリエスタにて English music title In The Ruined City, Ateliesta Romaji music title Haito Atoriesta nite Music Lyrics written, Voice edited by cosMo \ 暴走P（Bousou-P) Music arranged by cosMo \ 暴走P（Bousou-P) Singer(s) 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： "At the top of the clock tower in the city that was disappeared from a map *snip*" "It s an ubiquitous jinx that brings happiness" "Pledging one s everlasting love in the ruined city, Ateliesta" I heard about it in the breeze and I think it s dubious But it might kill my boredom Who brought this up first, you or me? On the morning when our breath turns into white smoke We set out for the desolate city You say that you just wanna give it a try but I know you re pretty serious That s what I feel sweet about you, sometimes By the time we reach at the center of the city, the sun is behind clouds Before we see the first snow, we drape all over and hold each other tight "Pledging one s everlasting love in the ruined city, Ateliesta" It s a wonderful charm that has gone through hundreds of years Piled-up affections have been handed down till today throughout the ages And they will even make someone s nonsense (myth) come true When we get to the clock tower, I say "It s really exciting, isn t it?" To make you agree to going up to the top We re now halfway up the tower I almost complained of hunger, then I see something white finally comes down from the sky Ah, now you should watch your steps or you ll miss your footing You look so happy and that s what I feel sweet about you, sometimes By the time the snow gradually gets heavier and we re in the snowy world In the city that once has been crowded with people We see the most beautiful sight "Pledging my everlasting love in the ruined city, Ateliesta" We tenderly whisper that with a lip-to-lip kiss like others did Piled up affections whitely deeply gently come on and cover the city It even changes the city that settled into sleep into a theater Though it s supposed to be no other people, the clock tower tells the hour The sound was... "It sounded as if it gave us blessing" "Pledging one s everlasting love in the ruined city, Ateliesta" It s a charm that crosses from one happiness to the next Piled-up affections will be handed down to future throughout the ages And they will even make someone s nonsense (myth) come true Romaji lyrics (transliterated by blacksaingrain)： "Chizu kara kieta machi no tokeidai no ue de (ry" ↑Doko ni demo korogatte souna shiawase wo hakobu jinkusu "Haito Atoriesta nite eien no ai wo chikau" Kaze no tayori ni kiku no wa mayutsuba na hanashi dakedo Taikutsu shinogi niwa choudoii kamo ne Docchi ga ii dashitanndakke Haku iki shiroku sumui asa ni Bokura wamujin no machi wo mezasu Tameshitemiru dake date iu wari ni honki na kimi no Souiu tokoro ga kawaii to omottari omowanakattari Machi no chuushin ni tsuku koro ni wa ohi-sama ga kumo ni kakurete Hatsuyuki wo miru mae ni gyutto kata yose dakiatta "Haito Atoriesta nite eien no ai wo chikau" Nanbyaku nen mo mae kara tuzuku sutekina omajinai Tsumi kasanaru omoi wa toki wo koe kyou mo katari tsugare Dareka no tsukuribanashi sae mo honmono ni kaeru" Tokeidai wo me no mae ni shite yappa tenshon agaru yone toka Gouin ni doui wo ete teppen mezasu Mannaka kurai made kita Kuufuku wo kougi shikakete Sora kara tsuini shiroi no ga yatte kita Aa, hora mou mae mitenai to ashi wo fumi hazushichau yo Tanoshisouna kimi ga kawaii to omottari omowanakattari Yuki ga dandan tsuyokunatte giniro sekai ni natta koro ni Bokura wa katsute nigiwatta machi de ichiban kireina keshiki wo mitanda "Haito Atoriesta nite eien no ai wo chikau" Ksanaru kuchibiru de sotto bokura mo tsubuyaita Tsumi kasanaru omoi wa shiroku fukaku yasashiku furi tsumori Memuri ni tsuita machi sae mo shiata e to kaeru" Dare mo inai hazu no tokeidai ga jikoku wo tsugeru Sono oto wa... "Watashitachi wo shukufukushiteru mitai ni omoeta" "Haito Atoriesta nite eien no ai wo chikau" Shiawase wo tsugi no shiawase e to tsunagu omajinai Tsumi kasanaru omoi wo toki wo koe mirai e kataritsugu Dareka no tsukuribanashi sae mo honmono ni kaete [cosMo, Bousou-P, BousouP]
https://w.atwiki.jp/pyopyo0124/pages/70.html
CHAPTER II 前半 UP CHAPTER III? CHAPTER II Matthew Cuthbert is surprised 第2章 マシュー・カスバートの驚き（松本訳） の続き That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, 400～500ヤード＝365～451 m completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. 「snowy fragrant bloom」これが桜だったなら、fragrant bloomにはならない。木の肌や枝振りからも違いはわかるでしょうけれども、花の匂いがすると、どんな木かもわかるのでしょう Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. 「rapturously」狂喜して。これ以降、raptとその仲間の単語が連発されます（4回） Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. 「the White Way of Delight」おしゃべり以外でアンを特徴づけるエピソードと名付け癖。この「並木道」は訳者のみなさんを悩ませたような感じを受けます。歓喜の白路（村岡訳）→歓喜の白い路（中村訳）→歓喜の白い道（神山訳）→歓喜の白路（茅野訳）→歓びの白い路（松本訳）→喜びの白い道（掛川訳）。茅野訳を除けば、古い順に難しい漢字から易しい漢字の使い方になっていきます。耳で聞くなら、カンキノハクロではなくヨロコビノシロイミチがわかりやすいのですが、big wordsをたくさん使うアンの言葉ならば、漢語のほうが適切なのかも、と思えなくもありません。ちなみにアニメーションは神山訳に基くそうですけど、カンキノシロイミチではなく「ヨロコビノシロイミチ」で、音優先のようです Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, 「Hepzibah Jenkins」松本訳注第2章(13) p. 458参照 but I always imagined her as Rosalia DeVere. 「DeVere」 Puffin Books版では、De Vere と De と Vere の間に空白が入っている 「Rosalia DeVere」松本訳注第2章(14) p. 458参照 Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. 「home」このおしゃべりの中だけで4回 home が出てくる。アンは get(tting) home に着くと表現もしていますが、地の文では house に到着と表現され（By the time they arrived at the house とか she followed him into the house）、home ではなく、建物としての家となる Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. 「maple」Acer sp. カエデ。プリンスエドワード島には、カエデの仲間が複数種あるようです。ここに出てくるmapleがどの種類かは確定できません（やはりプリンスエドワード島に行かねばわからない……）。ですが、アヴォンリーにも確実にあるはずなのは、サトウカエデAcer saccharum。写真は、ヴァンダービルト大学の生物科学科 Steve Baskauf さんのページ、ウィキペディア（英）をどうぞ Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. 「clad」clotheの過去分詞 From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. 「frogs」カエルの種類は調べきれていません。数少ない動物の音。この『アン』には、あまり動物の声は表現されていません。木々（植物）の様子や風景の描写はたくさんありますが、動物は少ない There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. 「the Lake of Shining Waters」湖水か湖か。直訳すると「水が輝いている湖」「輝く水の湖」なんでしょうけど、ミズとミズウミと音が重なってしまうので（語源が水海だから仕方ありませんが）、これではよい訳にはなりません。輝く湖水（村岡訳）、輝く湖（中村訳）、輝く湖水（神山訳）、輝きの湖水（茅野訳）、輝く湖水（松本訳）、輝く湖（掛川訳）。ちなみにアニメーションは神山訳に基くそうですけど、「きらめきの湖」。英語にとらわれていない分、耳で聞いてわかりやすい（誰がこうしたんでしょう？） Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." 「about my size.」size は、大きさであって年齢は指さないとは思うのですが、アンはsize を使っている。答えるマシューも年齢を言う。子供は体の大きさをいうより年齢をいうほうがいいのは当然ですが、size と尋ねるところに不思議さを感じました。なお、Puffin Books版では、ピリオドで終わらず、クエスチョンマーク "He s got one about eleven. 「He s got」He has got = He has。have got = have イギリス英語 Her name is Diana." 「Diana」松本訳注第2章(15) p. 459参照 "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. 「dreadful heathenish」恐しいほど異教徒のよう。Diana はローマ神話の女神（ウィキペディア（日））なので、キリスト教徒から見ると異教徒の名前。sensibleでないとマシューが思う（次の言葉）のはこのため I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." 「they gave him ...」この they は、Barrys（バリー家の人々、または、Mr and Mrs Barry） のはずですが、指している単語はありません。him は a schoolmaster。この校長先生は男性（女性なら、schoolmistress）。ステイシー先生が来るまで、アヴォンリーでは女性の先生はいなかったので（CHAPTER XXII with impression? Anne is Invited Out to Tea）、アヴォンリーの学校の校長なら女性であるはずはありません。が、しかし、アヴォンリーの学校は先生一人の学校なので、ここで言う schoolmaster がどういう立場なのかは不明 "I wish there had been a schoolmaster like that around when I was born, then. これは、「アンは、落ちついたほんとうにいい名前です」とマリラに言われる伏線。"Anne is a real good plain sensible name." CHAPTER III with impression? Marilla Cuthbert is Surprised Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. 「open them」の them は前の文の my eyes Because, you see, if the bridge DID crumple up I d want to SEE it crumple. 仮定法過去 What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." 「Good night」を言う。でも、アンは、次章で、そう言われて傷つく、の伏線 CHAPTER III with impression? Marilla Cuthbert is Surprised When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, 「since」前に but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. 「a marigold sky」松本訳注第2章(16) p. 459参照 Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, 「they lingered on」linger 長居する、ぐずぐずする、いつまでも思案する。pointed のような単語ではないのは、アンがすぐにわかったことしていないことが伝わる。ここだけでは、悩んだのか、わかったけれでもすぐ言うと dream が覚めてしまいそうでいやだったのか、そういったことはわからない。とにかく、即断即決という様子ではない目の動きをした。they は child s eyes far back from the road, 「far back from the road」グリーンゲイブルズは道路から奥まったところにあると前章で紹介されている。"Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated." CHAPTER I with impression Mrs. Rachel Lynde is Surprised dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. 「in the stainless southwest sky, a great crystal-white star」南西の空に白く輝く大きな星。この星は何？ここでは、すこし無理して、しし座のレグルス、と一応の結論としておきます。6月11日の日没後（8時）に南から西に見える明るい星（1等星以上）は、おとめ座のスピカ（青白色：ほぼ南）、しし座のレグルス（白色：西南西）、ふたご座のポルックス（黄みの橙色、ほとんど西）、こいぬ座のプロキオン（黄色、高度が低くて見えないかも）の4つ。このうち西側に見える白い星はレグルスだけ。高度も十分あります。9時ごろになって、ようやくスピカが南南西（南中が8時10分頃）。モードが意識していたかどうかはわかりませんが（意識していないに違いありませんが）、どんぴしゃの星はありません……。参考になりそうなページをいくつか。6月15日の21時の空はつるちゃんのプラネタリウムの６月の星空。レグルスの説明はつるちゃんのプラネタリウムのレグルス、ウィキペディア（日）。スピカの説明はつるちゃんのプラネタリウムのスピカ、ウィキペディア（日）。星座早見で6月11日の日没の時刻を調べたら、北緯45度では7時40分ごろ。シャーロットタウンが46度14分なので、誤差は小さいはず。8時なら「The sun had set some time since」として問題なし。9時は遅すぎる気がします。夜9時すぎに見える南西の白い星ならば、おとめ座のスピカで決まりですが…… "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." 「so s」＝ so as "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. 「home」アンは home という Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, 「from the elbow up」肘より up。ということは、肩のほう？、手のほう？ 肘から先（松本訳、中村訳）、肘のところから（村岡訳：これは肘より先と解釈するほうが自然？）、ひじから上（神山訳）、肘より上（茅野訳、掛川訳）。肘より上（肩のほう、上腕、二の腕）は upper arm、肘より先（前腕）は forearm というそうですが（ウィキペディア（英））、これは少々医学に偏っている使い方なので、実際のおしゃべりで、up がどっちなのかは不明。夢かどうか確かめるためにつねるのはどこ？と当時のプリンスエドワード島の人に尋ねないとだめかもしれませんが、今となっては不可能。右の頬ではないようですけど（日本ならそうじゃないかしら） for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. アンに home を連発され、「we re nearly home」と言われれば落ち着かなくなるのは当然 He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. 「hers」＝ her home They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house 「the house」ここでは、home ではない。建物としての house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was 「It」これは、an energy でしょうか not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. 「the house」アンは、home ではなく、建物に入っていく CHAPTER II 前半 UP CHAPTER III? 8 October 2007 今日 - | 昨日 - | Total - since 8 October 2007 last update 2007-10-08 18 51 44 (Mon)
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http //www.fasterpussycat.com/ member ( L to R ) Chad Stewart drums ( ex-MOTOCHRIST ) Danny Nordahl bass ( NEW YORK LOOSE, ex-the THROBS, the NEWLYDEAD, MOTOCHRIST ) Taime Downe vocal Xristian Simon guitar ( ex-the NEWLYDEAD ) Michael Thomas guitar ex-member Brent Muscat,Kelly Nickels, Greg Steele, Brett Bradshaw, Mark Michals, Walter Adams, Frankie Banali, Eric Stacy CDFront Row For The Donkey Show The Power The Glory Hole The Best Of FASTER PUSSYCAT Whipped! Wake Me When It's Over DVDLive @ Loft, Shinjuku, Tokyo September 7th 2001 LiveLive @ Cyclone, Shibuya, Tokyo June 25th 2010 fri V.A. world / We Wish You A Hairy Christmas ( 2003年10月7日 ) CD Front Row For The Donkey Show Juky 7 2009 1. Intro / 2. The Power And The Glory Hole / 3. Cathouse / 4. Slip Of The Tongue / 5. Number 1 With A Bullet / 6. Sex Drugs Rock Roll / 7. Where There s A Whip There s A Way / 8. House Of Pain / 9. Porn Star / 10. Bathroom Wall / 11. Shut Up And Fuck / 12. Babylon / 13. It s Only Rock And Roll The Power The Glory Hole October 1 2007 1. Number 1 With A Bullet / 2. Gotta Love It / 3. Useless / 4. Sex Drugs Rock-N-Roll / 5. Disintegrate / 6. These Boots Were Made For Walking / 7. Hey You / 8. Porn Star / 9. Power The Glory Hole / 10. Shut Up And Fuck / 11. Bye Bye Bianca The Best Of FASTER PUSSYCAT 5/10/1995 1. Where There s A Whip There s These s A Way / 2. Bathroom Wall / 3. Cathouse / 4. You re So Vain / 5. The Body Thief / 6. Poison Ivy / 7. House Of Pain / 8. Smash Alley / 9. Don t Change That Song / 10. Pulling Weeds / 11. No Room For Emotion / 12. Slip Of The Tongue / 13. Nonstop To Nowhere / 14. Little Dove / 15. Babylon Whipped! 8/25/1992 1. Nonstop To Nowhere 2. The Body Thief 3. Jack The Bastard 4. Big Dictionary 5. Madam Ruby s Love Boutique 6. Only Way Out 7. Maid In Wonderland 8. Friends 9. Cat Bash 10. Loose Booty 11. Mr. Lovedog 12. Out With A Bang 13. Too Tight 14. Charge Me Up Wake Me When It s Over 8/30/1989 1. Where There s A Whip There s A Way / 2. Little Dove / 3. Poison Ivy / 4. House Of Pain / 5. Gonna Walk / 6. Pulling Weeds / 7. Slip Of The Tongue / 8. Crying Shame / 9. Tattoo / 10. Ain t No Way Around It / 11. Arizona Indian Doll / 12. Please Dear DVD Live @ Loft, Shinjuku, Tokyo September 7th 2001 Taime Downe (vo), Brent Muscat (g), Xristian Simon (g), Danny Nordahl (b), Chad Stewart (ds) Live Live @ Cyclone, Shibuya, Tokyo June 25th 2010 fri 1. Intro / 2. Bathroom Wall / 3. Jack The Bastard / 4. Cathouse / 5. Slip Of The Tongue / 6. Number 1 With A Bullet / 7. Sex, Drugs Rock N Roll / 8. Where There s A Whip There s A Way / 9. House Of Pain / 10. No Mercy / 11. Sex Action / 12. Over The Edge / 13. Ballad Of Jayne / 14. Electric Gypsy / 15. Rip N Tear / 16. Nonstop To Nowhere / 17. Don t Change That Song / 18. The Power The Glory Hole / 19. Porn Star / 20. Shut Up Fuck /21. Babylon FASTER PUSSYCAT Tracii Guns